Archival Sleeve
Inert plastic that holds a negative without touching the emulsion.
Lignin-free board that will not slowly acidify the negatives inside it.
| Material | Lignin-free, buffered board (calcium carbonate) |
|---|---|
| Standard | Should pass the Photographic Activity Test (PAT) |
| Formats | Boxes for 4 × 5 sheets · 35mm and 120 strips · prints |
| Closure | Drop-front or hinged lid, dust-tight |
| Environment | ≤ 21 °C, 30–50% RH, dark, stable |
| Storage orientation | Vertical for sleeves and prints |
| Labelling | Archival pencil or pigment ink on the outside only |
| Inspection | Every few years, in cool conditions |
Ordinary cardboard is made from wood pulp, and wood pulp contains lignin. Lignin breaks down over decades into organic acids, and those acids attack photographic emulsions from the outside in. A box of negatives stored in an ordinary shoebox will show edge staining and fading long before one stored in archival board.
Acid-free board is made from purified pulp with the lignin removed and a buffering agent added, usually calcium carbonate, to absorb any acid that does form. It should also pass the Photographic Activity Test, which measures whether a material reacts with photographic images.
The box is only part of the system. The environment does the rest: cool, dry, stable, dark. A perfect box in a damp attic will still lose the negatives.
Inert plastic that holds a negative without touching the emulsion.
Carbon-fibre bristles that neutralise static and lift dust off a negative.
Fibre prints curl as they dry — a dryer flattens them without cooking the emulsion.
The format that defined documentary photography — 36 frames on a 24 × 36 mm strip.