Enlarger
A vertical projector that turns a small negative into a large print.
The optical half of the craft. Magnification, aperture, filtration and paper choice decide whether a negative becomes a print worth keeping.
The optical half of the craft. Magnification, aperture, filtration and paper choice decide whether a negative becomes a print worth keeping.
A vertical projector that turns a small negative into a large print.
A flat-field lens optimised for close working distances and even illumination.
Resin-coated or fibre — the two papers behave completely differently in the tray.
A magnifying scope that lets you focus on the grain instead of guessing.
Adjustable masking blades that hold the paper flat and set the print borders.
The capture side — emulsions, formats and the hardware that holds them.
Developers, stops, fixers and the wash — the wet half of the process.
Safelights, trays, timers and the small tools that make a room workable.
Washing, drying and storing so the work outlives you.