35mm Film
The format that defined documentary photography — 36 frames on a 24 × 36 mm strip.
Everything that happens before the darkroom door closes: choosing an emulsion, understanding formats, and the tanks and bags that get exposed film safely into chemistry.
Everything that happens before the darkroom door closes: choosing an emulsion, understanding formats, and the tanks and bags that get exposed film safely into chemistry.
The format that defined documentary photography — 36 frames on a 24 × 36 mm strip.
A wider negative on a spool, with backing paper instead of a cassette.
One sheet, one image — the slowest and most deliberate way to expose film.
A light-tight metal can with a felt light trap and a spool you can rewind.
A light-tight vessel that lets you develop film in full daylight.
A portable darkroom that folds into a pocket — total darkness anywhere.
Developers, stops, fixers and the wash — the wet half of the process.
Safelights, trays, timers and the small tools that make a room workable.
From negative to paper — enlargers, lenses, papers and focus aids.
Washing, drying and storing so the work outlives you.