35mm Film
The format that defined documentary photography — 36 frames on a 24 × 36 mm strip.
A light-tight metal can with a felt light trap and a spool you can rewind.
| Type | Disposable (factory) or reusable (bulk-loading) |
|---|---|
| Body | Metal, light-tight, DX-coded on factory cassettes |
| Light trap | Felt or plush, both sides of the slot |
| Capacity | Up to 36 exposures (≈1.6 m) |
| Spool | Standard 35mm spool with protruding spigot |
| DX coding | 12 contact patches on the can, read by the camera |
| Reuse life | Reusable cassettes last indefinitely if the felt is clean |
| Identification | Label the can — in the dark it is the only record |
The cassette is the reason 35mm film is loadable in daylight. Its felt-lined slot lets film out but keeps light in, and its spool takes the rewind tension when the roll is finished.
Reusable cassettes matter if you bulk-roll. A bulk loader and a stack of reloadable cassettes turn a 30 m roll of film into roughly 18 rolls of 36 exposures at a fraction of the retail cost, and let you load short rolls of 12 frames for testing.
The felt trap is also the format's weakest point. Grit caught in the felt scratches the whole roll, and a worn trap leaks light along the film edge. Inspect cassettes before every reuse.
The format that defined documentary photography — 36 frames on a 24 × 36 mm strip.
A portable darkroom that folds into a pocket — total darkness anywhere.
A light-tight vessel that lets you develop film in full daylight.
Carbon-fibre bristles that neutralise static and lift dust off a negative.