Changing Bag
A portable darkroom that folds into a pocket — total darkness anywhere.
A light-tight vessel that lets you develop film in full daylight.
| Capacity | 1, 2, 4 or 8 reels depending on tank |
|---|---|
| Formats | 35mm and 120 on adjustable plastic reels |
| Chemistry volume (1 reel) | ≈ 250–300 ml |
| Chemistry volume (2 reel) | ≈ 500–600 ml |
| Material | ABS plastic or stainless steel |
| Lid | Light-tight funnel lid with a pour spout |
| Agitation | Inversion, or rotation with a rotary base |
| Temperature | Plastic insulates; steel responds faster to a water jacket |
The developing tank is the single piece of equipment that made home processing practical. Film goes onto a reel in darkness, the reel goes into the tank, the lid goes on — and from that moment everything can be done with the lights up.
There are two families. Plastic tanks with adjustable reels load by ratcheting the film on, and accept both 35mm and 120. Stainless steel tanks with steel reels are more durable, easier to clean and hold temperature better, but steel reels need a confident, unhurried loading technique or the film jams.
Capacity matters more than it looks. A two-reel tank used with one reel has more chemistry than you need but leaves air space that makes inversion agitation less even. Match the tank to how many rolls you actually process at a time.
A portable darkroom that folds into a pocket — total darkness anywhere.
The reducing agent that turns exposed silver halide into visible metallic silver.
An enlarging timer with a foot switch — because your hands are always wet.
Development time is meaningless without temperature — this is the instrument that makes it mean something.