Developing Tank
A light-tight vessel that lets you develop film in full daylight.
A portable darkroom that folds into a pocket — total darkness anywhere.
| Closure | Double zip with internal light baffle |
|---|---|
| Sleeves | Two, elasticated at the wrist |
| Interior | Light grey, smooth, seam-sealed |
| Small size | ≈ 50 × 50 cm — 35mm and 120 |
| Large size | ≈ 75 × 75 cm — sheet film holders |
| Changing tent | Rigid frame, pop-up, for 4 × 5 and 8 × 10 |
| Fabric | Rubberised nylon or coated polyester |
| Care | Wipe clean, store dry and unfolded |
A changing bag is a light-tight fabric box with two sleeves sewn into it. You put your hands through the sleeves, and everything inside is in darkness. It is how you load film when you have no darkroom, and how you load sheet film on location.
Quality is measured in one thing: whether light gets in. A cheap bag with a single-layer zip and a smooth interior will fog your film at the seams. A good bag has a double zip with an internal flap, light-tight seams, and a light-grey interior so you can see faint shapes once your eyes adjust.
Size is the other variable. A small bag is fine for a 35mm cassette and one reel. Sheet film holders need a much larger bag — or better, a changing tent with a rigid frame that does not collapse onto the film while you work.
A light-tight vessel that lets you develop film in full daylight.
The format that defined documentary photography — 36 frames on a 24 × 36 mm strip.
One sheet, one image — the slowest and most deliberate way to expose film.
Weighted stainless clips that hold a wet strip straight while it dries.