Enlarger
A vertical projector that turns a small negative into a large print.
A magnifying scope that lets you focus on the grain instead of guessing.
| Magnification | 10× or 25× |
|---|---|
| Screen | Ground glass, sometimes with a crosshair |
| Body | Metal or plastic, with a base that sits flat on the baseboard |
| Adjustable eyepiece | Dioptre adjustment for glasses wearers |
| Use | Place in a mid-tone area with visible texture |
| Focus at | The printing aperture, not wide open |
| Alternative | A 50 mm lens used as a loupe on the baseboard |
| Storage | Capped, dry, away from dust |
Focusing an enlarger by eye on the baseboard is unreliable. At f/8 with a 50 mm lens, the depth of focus is small enough that a fraction of a turn of the focus control moves the image out of critical sharpness, and the human eye cannot reliably judge that at working distance.
A focus finder is a small telescope with a ground-glass screen that sits on the baseboard and magnifies a patch of the projected image ten or twenty-five times. At that magnification you can see the film grain itself, and grain is the only reliable focus reference — an edge can look sharp while the grain is still soft.
The technique is to focus for maximum grain definition in a patch that contains a mid-tone with visible texture, then stop down to the working aperture and check again. Stopping down shifts focus slightly, so always focus at the aperture you will print at.
A vertical projector that turns a small negative into a large print.
A flat-field lens optimised for close working distances and even illumination.
Adjustable masking blades that hold the paper flat and set the print borders.
Resin-coated or fibre — the two papers behave completely differently in the tray.