Enlarger
A vertical projector that turns a small negative into a large print.
Adjustable masking blades that hold the paper flat and set the print borders.
| Types | Two-blade · four-blade · single-size |
|---|---|
| Common sizes | 8 × 10 · 11 × 14 · 16 × 20 in |
| Base | Flat, rigid, often with a felt underside |
| Blades | Adjustable, with locking screws |
| Border width | Typically 5–10 mm when blades are set |
| Alignment | Blade edges must be square to the baseboard |
| Paper hold | Weighted blades or spring clips |
| Use with | Fibre paper benefits most from a rigid easel |
The easel does three jobs at once. It holds the paper perfectly flat under the lens, it masks the edges so you get clean white borders, and it lets you position the image on the sheet without moving the paper.
The two-blade easel adjusts width and height independently and is the standard choice. The four-blade easel lets you set all four edges independently, which makes it possible to position an off-centre crop precisely — worth the extra cost if you crop regularly.
Flatness is the part people underestimate. A sheet of fibre paper that curls up at one corner will be out of focus in that corner no matter how carefully you aligned the enlarger. A good easel holds the whole sheet down.
A vertical projector that turns a small negative into a large print.
Resin-coated or fibre — the two papers behave completely differently in the tray.
An enlarging timer with a foot switch — because your hands are always wet.
A magnifying scope that lets you focus on the grain instead of guessing.