Stop Bath
A dilute acid that halts development in seconds and protects the fixer.
Dissolves the unexposed halide so the image stops changing and can be seen in light.
| Types | Rapid (ammonium thiosulfate) · Standard (sodium thiosulfate) |
|---|---|
| Film dilution | 1:4 from concentrate, or as the data sheet states |
| Paper dilution | 1:9 for fibre papers in a two-bath regime |
| Film fixing time | 3–5 min (rapid), 10–15 min (standard) |
| Paper fixing time | 2–3 min per bath in a two-bath regime |
| Capacity | ≈ 24 films or 40 8 × 10 prints per litre |
| Indicator test | Clear a film leader in 30 s — if slower, replace |
| Archival note | Use two baths and never exceed capacity |
After development the film or paper is still full of silver halide that was never exposed. Fixer dissolves it — converting the insoluble halide into soluble complexes that the wash can carry away. Until that happens the image is still light-sensitive and still developing.
Rapid fixers based on ammonium thiosulfate work in three to five minutes; the older sodium thiosulfate "hypo" takes ten to fifteen. The trade-off is capacity and odour: rapid fixers are more expensive, work faster, and smell far less.
The critical discipline is knowing when fixer is spent. Silver accumulates in the solution and fixation slows. A two-bath fix — half the time in bath one, half in bath two — is the standard archival practice, because the second bath stays nearly fresh and finishes the job properly.
A dilute acid that halts development in seconds and protects the fixer.
A washing aid that swaps the fixer out of the emulsion so the wash can finish the job.
A tank that keeps fresh water moving past every print until the fixer is gone.
The reducing agent that turns exposed silver halide into visible metallic silver.